Here is my latest achievement, Saint Michael slaying the demon, piece edited in 3D on a 75 mm scale that I modified a little (addition of the demon's wings, modification of the spear and the base).
The set is fully painted with PA acrylics

  • eric wolfsPLUS

    Merci pour ton vote, François. Au final, une pièce assez difficile à peindre, car de manipulation fragile. Pour le vert du démon, je souhaitais une opposition vert / bleu avec l’archange, mais le démon est globalement bien plus sombre.

  • Sergey Cheremshantsev

    Gold!

  • Evgeny Golubev

    Excellent travail Eric, pour moi c’est de l’or!

    • eric wolfsPLUS

      Great thanks Evgeny. Comments are very appreciated !

  • EntrevonPLUS

    Un ensemble qui a très belle allure, j’aime beaucoup, au final !!
    Et les couleurs de l’Archange sont top !

    • eric wolfsPLUS

      Merci Bernard. Comme je l’ai dit sur le forum, je me suis inspiré du tableau de Raphaël pour les couleurs de l’archange.

  • Angel C Villalba "KaspareK"

    Preciosa pieza!!!!

  • girlpainter57

    delightfully done Eric love how you have given the distinction between the saints golden hair and black for the demon

    • eric wolfsPLUS

      Great thanks Girlpainter. Your comments are always very appreciated

  • davidg100

    Beau travail !
    Or

    • eric wolfsPLUS

      Merci David. Comme il est agréable d’avoir des appreciations de ceux qui votent or ou Argent, quand certains s’amusent a mettre systematiqurment du bronze a toutes les pieces que je presente, sans autre justification que de voir la note chuter !

  • Francesco Thau

    Gold

  • Marc MussatPLUS

    Belle pièce !
    Palette de couleurs harmonieuse
    Juste la cuirasse où les ombres manquent un peu de fondu

  • Roman LappatPLUS

    Hi Eric, my thoughts and feedback on this project and why I voted silver, which is a high medal for it: The overall impression works really well and captures the theme really good. Every part is well done, individually, like the scales of the snake body, the wing texture, the stones, the wings, etc. but I think they are not connected. There is not an ambience to the scene that connects all colors, for example is this happening at night, in a dark dungeon, in a cave with dark ambience. The stones do transport this information from their sculpt, painted it is like:

    • Roman LappatPLUS

      I paint stones grey, skin in skintone, clothes in clothes color, wings in wing color ... please do not take this as an offense: a bit like Playmobil. I do miss connection of the elements to make this stand out, to make it more dramatic. Also the light situation is the same over the full figure. Nothing is really dark, nothing shines in pure light. This subject, a holy Saint slaying a dark beast could be done with a more dramatic light situation. Leaving the enemy in darker colors to make his character darker, making the hero shine in a heavinly light to bring out his holy powers. The topic asks for it. It is not painted. Everything is at midday, noon, everything has the same light and no dramatic contrast work of light and shadow that makes the viewer focus on the difference of the characters or to guide the viewer’s eye to a certain important area of the duel ...

    • Roman LappatPLUS

      In detail I see the skintone painted well and light and shadow on it placed. I see no natural skintone variation. Someone who is slain might be full of anger and anger makes the cheeks more reddish, he is crawling over sharp stones but is not wounded or has no skin irritations that make him look more alive. Both have the same skincolor, which also transfer back to adding more contrast between two characters if one would be more pale or darker skinned. The gold NMM does not work for me as it does not transport the information of light, shadow and environment reflection on gold metal to me. The hair has the same color as the gold and does not differ as a material.

    • Roman LappatPLUS

      The black hair reflects the light just like a stone, while hair usually has a more satin look compared to stone, means the material of hair reflects light differently.

      You can observe these things in nature, in real life when you work with references. I think your paintjobs can benefit greatly if you observe and understand the material better that you are about to paint.

      Overall this is a well painted figure, but I do miss these points above to vote Gold. So, silver is a high vote for this project.

      I hope you do not take the feedback as a offense as you asked for it. Just my honest oppinion and thoughts on it.

  • eric wolfsPLUS

    Thank you very much for this long answer, Roman. Here are many arguments that will help me progress, I hope. There is absolutely no offense, and as I said before, a silver vote from you, I consider it as a mark of merit. Thank you again for the time you took to answer me so well., and I measure the progress I have to go.

    • Roman LappatPLUS

      Happy to hear that you do not take this as an offense. You are very welcome and I hope my feedback can inspire and help!

  • John Delamere

    Love it!

  • HubyPLUS

    très joli, or

    • eric wolfsPLUS

      Merci Huby.
      Tes pièces sont pas mal non plus. Je ne les avais pas toutes vues.

  • Luis Ugarte

    Great job Eric! Very nice! Gold!

  • Eugene Dravskikh

    Very nice paintwork! I - gold!

  • pit rehmke

    Hallo Eric,
    interessante Szene,guter 3D Druck und eine wunderbare Malarbeit.
    Gold.


    Die von Dir genannte Acrylfarbe ist mir nicht bekannt. Ich verwende entweder Golden oder Andrea
    Farben. Als 3D Drucker einen ELEGOO Saturn MSLA 3D Drucker, als Medium UV Lichthärtungs LCD Harz (Resin) Ich kann nicht sagen, dass ich mit den Druckergebnissen immer zufrieden bin.
    Wo mit Drucks Du?

    • eric wolfsPLUS

      Hallo Pit,
      Nochmals vielen Dank für Ihre Stimme.
      In Bezug auf die Gemälde sind die PA-Acrylfarben (Prinz August) die gleichen wie die von Andrea.
      In Bezug auf 3D-Drucke verwende ich einen Elegoo Mars 2P-Drucker mit Anycubic-Harz.

  • pit rehmke

    Wonderful work!
    Gold!

  • Pierre Balmette

    Très belle pièce, j’aime beaucoup les teintes, juste peut-être le socle qui est trop gris et qui aurait pu être légèrement teinté avec les autres couleurs de la pièce pour mieux l’incorporer. Or !

  • Fabien DOUGNIER

    Bin voila je suis content de contribuer à te délivrer l or sur cette très belle peinture !

    • eric wolfsPLUS

      Avec un peu de retard ... merci beaucoup Fabien !

  • Mariano del Olmo

    Nice work Eric! Keep up the great work! Best, Mariano

  • Philippe

    Je l’aime beaucoup!

    • eric wolfsPLUS

      Merci Philippe. commentaire sobre mais très apprécié !!! Et merci pour ton vote !

  • Andrey Miroshnichenko

    Great! Gold!

  • WojciechBober72

    Ładni gra beż, brąz z błękitem-złoto